An Introduction of Kahlil Gibran by Osho

As Osho speaks: Kahlil Gibran… the very name brings so much ecstasy and joy that it is impossible to think of another name comparable to him. Just hearing the name, bells start ringing in the heart which does not belong to this world. Kahlil Gibran is pure music, a mystery such that only poetry can sometimes grasp it, but only sometimes.

kahlil gibran

You have chosen a man who is the most beloved of this beautiful earth. Centuries have passed; there have been great men but Kahlil Gibran is a category in himself. I cannot conceive that even in the future, there is a possibility of another man of such deep insight into the human heart, into the unknown that surrounds us.
You would know the secret of death.
But how shall you find it unless you seek it in the heart of life?
The owl whose night-bound eyes are blind unto the day cannot unveil the mystery of light.
If you would indeed behold the spirit of death, open your heart wide unto the body of life.
For life and death are one, even as the river and the sea are one.

He has been able to bring at least a few fragments of the unknown into human language. He has raised human language and human consciousness as no other man has ever done. Through Kahlil Gibran, it seems all the mystics, all the poets, all creative souls have joined hands and poured themselves.

Although he has been immensely successful in reaching people, still he feels it is not the whole truth, but just a glimpse. But to see the glimpse of truth is the beginning of a pilgrimage that leads you to the ultimate, to the absolute, to the universal.

Another beautiful man, Claude Bragdon has said about Kahlil Gibran, a few beautiful words. He says, “His power came from some great reservoir of spiritual life, else it could not have been so universal and so potent. But the majesty and beauty of the language with which he clothed it was all his own.”

I have always loved this statement of Bragdon, even though not agreeing with it.

One need not agree with a beautiful flower; one need not agree with the sky full of stars – but one can still appreciate. I make a clear-cut distinction between agreement and appreciation – and a man is civilized if he can make the distinction. If he cannot make the distinction, he’s still living in a primitive, uncivilized state of consciousness.

I agree in a sense because whatever Bragdon is saying is beautiful; hence, my appreciation. But I cannot agree because whatever he is saying is simply guesswork. It is not his own experience.

Have you noted? – he says, “His power came from some great reservoir of spirituality, of spiritual life, else it could not have been so universal and so potent.” It is rational, logical, but it has no roots in experience. He feels that something beyond the grasp of mind has come through Kahlil Gibran but he is not certain. And he cannot be certain, because it is not his experience. He is immensely impressed by the beautiful language; each word is poetry unto itself. But he himself is unaware of that great reservoir of spirituality. He himself has not tasted it. He has loved Kahlil Gibran but he has not lived him.

With me, the situation is totally different. Hence, there are a few things I would like to say to you before I make my commentaries on the statements of Kahlil Gibran.

First, he is certainly a great poet, perhaps the greatest that has ever been born on the earth, but he is not a mystic; and there is a tremendous difference between a poet and a mystic. The poet, once in a while, suddenly finds himself in the same space as the mystic. In those rare moments, roses shower over him. On those rare occasions, he is almost a Gautam Buddha – but remember, I’m saying almost.

These rare moments come and go. He’s not the master of those rare moments. They come like the breeze and the fragrance and by the time you have become aware – they are gone.

A poet’s genius is that he catches those moments in words. Those moments come into your life too. They are free gifts of existence – or in other words, glimpses to provoke in you a search, to come to a moment when this space will become your very life, your blood, your bones, your marrow. You will breathe it, your heart will beat it. You will never be able to lose it, even if you want to.

The poet is for moments a mystic, and the mystic is a poet forever. tastes the glimpse of the afterlife in the rejoicing moment of spendable creation of his own life.

The prophet book


the prophet book is consist of 26 prose poetry fables which is delivered by Al Mustapha. It is written in Lebanese and later it is translated in English by the Lebanese-American poet.
the prophet book is known as the best work of his time period. the prophet is one of the most translated books in history. it is translated in more than 100 languages
Kahlil Gibran was an open person, reveals through by his works. He was not equipped in its own religion, he explored all every dimension of art.
it is not a book about a particular religion, rather it is a fusion of eastern and western mysticism.

Kahlil Gibran on love- The prophet book.

“Than said Almitra, Speak to us of Love.

And he raised his head and looked upon the people, and there fell a stillness upon them. And with a great voice he said:

When love beckons to you, follow him
Though his ways are hard and steep.
And When his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And When he speaks to you believe in him,
Though his voice may shatter your dreams as the north wind lays waste the garden.”

This book is the best selling and it is so loved by the people of different stages of people in their lives. it has this magical quality, the more you read it the more you come to understand the words.

Kahlil Gibran on children:


“Your children are not your children.
They are the sons and daughters of Life’s longing for itself.
They come through you but not from you,
And though they are with you, yet they belong not to you.
You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow,
Which you cannot visit, not even in your dreams.”

Kahlil Gibran on Love

Love one another, but make not a bond
of love:
Let it rather be a moving sea between
the shores of your souls.
Fill each other’s cup but drink not from
one cup.
Give one another of your bread but eat
not from the same loaf.
Sing and dance together and be joyous,
but let each one of you be alone,
Even as the strings of a lute are alone
though they quiver with the same music.

Give your hearts, but not into each
other’s keeping.
For only the hand of Life can contain
your hearts.
And stand together yet not too near
together:
For the pillars of the temple stand apart,
And the oak tree and the cypress grow
not in each other’s shadow.

In the beutiful poem of kahlil gibran conveyed by almarita. gibran wan tto convey his messege to the loveing ones- that to love each other but dont make possession of it. dont bound the other by creating a bond.
And open up to maximum extremes of your heart without creating the starting stream and ending to it. love is eternal by its basic nature and happened in no boundations. love gives to the other and love gives the utter freedom that the other enjoys in full liberty.
you are for each other born for each other and will be for each other.
you will not be bisected even in the dark night of pseudo-absence of god.

Kahlil Gibran on death:


You would know the secret of death.
But how shall you find it unless you seek it in the heart of life?
The owl whose night-bound eyes are blind unto the day cannot unveil the mystery of light.
If you would indeed behold the spirit of death, open your heart wide unto the body of life.
For life and death are one, even as the river and the sea are one.

By the parable of the poem, as Gibran conveys that- the death remains a mystery until and unless it is too be experienced. you will definitely taste the after, only after grasping the whole spenders of life in its utterness.


Kahill Gibran has died on 10th of April, 1931 at the age of 48 exploring the hidden spenders of life in the utterness. and definitely would have tastes the glimpse of the afterlife in the rejoicing moment of spendable creation of his own life.

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